Spoonin’ Scrappy

Posted by Harry McCracken on August 19, 2012

Scrappy ad

Here’s yet another inexplicable early Scrappy ad, from an August 1931 issue of The Film Daily. As you’ve no doubt already noticed, Scrappy is ladling delight moviegoers out of a bowl, whereupon they turn into coins. The idea is to depict the money-making power of Scrappy shorts, and once again, it seems almost certain that nobody at the Mintz studio was involved in this oddity. If nothing else, it presents a rare opportunity to see Scrappy wearing long pants.

The ad claims that Scrappy is the only human character now in cartoon movies. I don’t think that was true: Farmer Alfalfa was still a working cartoon character at the time, and Bosko had been around for a couple of years. And Van Beuren’s human Tom and Jerry were getting going at nearly the same time that Scrappy was. But Betty Boop was still a dog in 1931, and Popeye hadn’t yet shown up in animated form. Scrappy probably did stick out in an era that was utterly dominated by Mickey Mouse’s anthropomorphic influence — even though he had a Mickey-like black-button nose at first.

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Dick Huemer on Scrappy: The Lost Interview

Posted by Harry McCracken on August 12, 2012

The Mintz Brain Trust
Dick Huemer circa 1931 with his Mintz colleagues. From left: Joe De Nat, Art Davis, Charles Mintz, Sid Marcus, and Dick. Courtesy Richard Huemer
Don’t hold me to this, but the first time I heard of Scrappy may have been in late 1976 or thereabouts, when I bought a copy of Mike Barrier’s Funnyworld #16, which had been published a bit before that. He was mentioned — briefly — in the magazine’s version of an interview of Dick Huemer which Joe Adamson had conducted in 1968 and 1969 for UCLA’s Oral History Project.

The excerpts of the interview published in Funnyworld focused on Huemer’s work for the Fleischers, which was a logical editing decision at the time. But UCLA’s website has the complete transcript, and it turns out that Mintz and Scrappy were discussed at considerably greater length. Here are a few Scrappy-centric tidbits (the whole thing is well worth your time):

You could loosely say that Scrappy was a little boy. He didn’t smoke, he didn’t drink, or go out with dames. That’s about the only characterization. The gags could be interchangeable with a dog or a gorilla.

I felt that a little boy would be a good character. They needed a rounded character which would be appealing. Then we could do things with him. Like once when he was washing he put a towel in his ear on one side then pulled it out all black on the other side. You know, kids get dirty. The very fact that no one else was doing a little boy seemed an advantage.

They weren’t worked out story-wise as well as Disney’s. No matter what you say, it comes down to this: ‘The play’s the thing.’ Walt worked out his stories down to the last blink of the eye. On the outside we might do little pre-sketches, but there was no time for real analysis. That’s what Walt was able to do, give time to these things, because he had the money coming in on his licensee projects already. We worked on a pretty short budget; we had to have one of these every two weeks. We’d come back at night sometimes just to talk about the stories and save animation time. They tried that till we rebelled. Nobody wanted to do it. I don’t know how other studios operated; I guess they were more or less alike. Nobody could put the meticulous care that Walt put into the stories, the perfectionism. The inventiveness that he supplied wasn’t coming out of anybody else. He was there to do it. He was one of the greatest story minds ever. And you can see that not having him on a series like Scrappy would make all the difference in the world. I, as one of the story men on Scrappy, certainly can’t compare myself to Walt. Scrappy still exists on film somewhere. My son teased me with one.

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Roll Your Own Scrappy

Posted by Harry McCracken on August 12, 2012

Scrappy ad

Another early Scrappy ad from The Film Daily — this one’s from the issue of August 2, 1931. Yes, that’s Yippy using a meat grinder-like machine to convert dozens of “real” boys into Scrappy. Who has four fingers and a thumb on each hand, and appears to be wearing a dress.

As with the first ad, I doubt that the Mintz operation had anything to do with this.

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Scrappy and Me

Posted by Harry McCracken on August 12, 2012

Scrappy and Me

Back in 2008, when I resigned as editor of PC World, my colleagues presented me with a number of gifts. One of them was this piece of art — by the wonderful John Cuneo — showing me, my Mazda 3 and Scrappy. At the time, I was notorious for wearing my phone around my neck; I’m not sure what Scrappy is brandishing.

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Scrappy and Pokie

Posted by Harry McCracken on August 12, 2012

One of the many wonders to be found at the Internet Archive is a run of the Film Daily, a now-defunct, Variety-like publication for the movie trade. It did a remarkably good job of documenting the world of Scrappy, and I'm going to share a lot of stuff from it. (Variety itself, however, rarely mentioned the guy.)

The ad above is from the Film Daily for July 27, 1931, right when the Scrappy series was getting going. The art, I feel certain, is by someone in Columbia's promotion department rather than a Mintz artist. And even for Scrappy, the scene depicted — a black-eyed Scrappy cheerfully assaulting three other boys at once — is strange.

Also strange: The ad refers to Scrappy's dog as “Pokie,” a moniker I've never heard before. Even in the first short, Yelp Wanted, the pooch was named Yippy (or, if The Film Daily was right, Yippi. Then again, Mintz had a casual attitude towards names: Oopy was sometimes Oopie or Vontzy, and Margy was occasionally Margie. It's a wonder that Scrappy himself was never called anything else…as far as I know.

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Cash-Carrying Scrappy

Posted by Harry McCracken on August 11, 2012

Scrappy wallet

A reader recently sent some photos of a fine-looking Scrappy item which I not only don’t have but hadn’t seen before: a wallet emblazoned with a tiny metal portrait of him and Yippy.

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The Art of the Scrappy Pull Toy

Posted by Harry McCracken on August 11, 2012

Scrappy Pull Toy

I’ve said that the Scrappy puppet theater is the greatest Scrappy toy of them all. Happily, it’s not the only candidate. Another prime contender is the Gong Bell Toy Company’s Scrappy pull toy, circa 1936. Pull it along, and Scrappy plays his xylophone while Margy, in grass skirt, pirouettes. It’s a thing of joy for sure — and so cool that there are modern knockoffs, the first new Scrappy products since the 1930s.

Recently, my friend Craig Yoe alerted me to a Hake’s auction which made my eyes pop. It was for the original art for the Scrappy toy. Most of it, at least: Scrappy and Margy’s front. (It didn’t include Margy’s other side, or Yippy.)

I crossed my fingers and placed a bid…and when the hammer fell, I had won.

Scrappy pull toy art

I’m not sure who drew these. Not Dick Huemer, who left the Mintz studio well before the toy was released. But they do look like they’re the work of someone at the studio rather than a Gong Bell staff artist. They capture the characters’ personality as well as any actual Scrappy cartoon ever did.

I’m pleased to own this art because…well, because it’s fantastic. But also because it proves that there’s still remarkable Scrappy stuff out there to be found. If this artwork survived for seventy-six years, who knows what other treasures will show up sooner or later?

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Let’s Watch The Little Pest

Posted by Harry McCracken on August 11, 2012

This is the second Scrappy cartoon. It was released on August 15, 1931, and it’s still pretty crude. It looks like it was made up as the animators went alone, and that nobody cared much about consistency. Which makes sense, because that’s all true.

The best part of the short is the first bit, in which Oopy cheerfully irritates his big brother, Scrappy, by tagging after him and singing. It’s character-based comedy of a sort that was unusual in the early 1930s, when most every new cartoon character was a Mickey Mouse knockoff. And the drawing, though crude, is funny: I love how Oopy belts his tune.

In the first Scrappy cartoon, Scrappy thinks that Yippy is deathly ill. In this one, he thinks Oopy is dead. Fortunately for everyone involved, the melodramatic plots didn’t continue on forever.

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Patterson Scrappy

Posted by Harry McCracken on August 7, 2012

Scrappy model sheet by Ray Patterson

I’m not sure how much original art has survived from the Mintz studio. I certainly haven’t seen all that much of it over the years. But while Scrappyland was on its long hiatus, Stephen Worth of Animation Resources posted a bunch of Mintz works by veteran animator Ray Patterson–several of which feature Scrappy characters, including this model sheet for Scrappy’s Boy Scouts (1936). Click on it for a larger version–but more important, go to Animation Resources to see ’em all.

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